I spent some time watching an artist work.

He was one of those artists who works in public, aware that everyone can see every step in the process. He didn’t seem to care. He stepped back to get perspective. He leaned close, on hands and knees, face nearly touching the surface, blowing away dust. He worked with precision and deliberation.

With that kind of artistic discipline, it would make sense that he was working wood, carving a piece that would last for centuries. It would make sense that he was working stone, chiseling marble that would last for millennia.

It would make no sense that he was working with chalk, on a street that would be closed for two days, then carry most of the traffic through downtown.

chalk artistAnd yet this careful artist was working on a six by six foot canvas of asphalt, carefully shading, blowing away chalk dust.

It seems a waste of time to be that careful about what last so briefly until we remember that David wrote about us that way. The psalmist says that we are like grass which is here and gone. What seems like a great work of art, this life we are living, is just one of billions of those drawings happening at this moment.

But God isn’t concerned with how many lives are happening right now. He is concerned with each of those lives. He knows that we are dust, he understands that we are weak, he is interested in each element of our lives. Our weakness doesn’t speak of our insignificance, but of the fragility of something of great value.

Just like my chalk artist, God is shading and shaping and blowing away dust. But God knows that when the drawing of my life is complete and blows away, there is the lasting imprint of our real life.

2 thoughts on “I spent some time watching an artist work.

  1. Johanna's avatar

    Johanna Fenton

    I like this post a lot. The theme of transience is one I’m exploring now, as in a lot of ways it goes against the American cultural grain. Artwork that the artist lovingly expects will change/disintegrate/melt over time is such a refreshing change of pace for me. Seems we’re too much inclined to want to preserve our own “art,” using that term broadly in how it also relates to our personal narratives and to our faith.

    Makoto Fujimura and his training in the Nihonga tradition is another great example. See a recent post by him called The Artist and the Beautiful, where he says, “Here, Hawthorne captures beauty in the similar way that the Japanese of old have called ‘mono-no-aware’ (“pathos of things”) and that what is truly beautiful must disappear, or be destroyed, in order to be truly beautiful. The duality of spirit and matter stands, and artists must embrace the impossibility of possessing, and creating, what is enduringly, solidly beautiful.” http://makotofujimura.blogspot.com/2010/02/refractions-34-artist-and-beautiful.html

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    1. Jon Swanson's avatar

      Jon Swanson

      Thanks for that link Johanna. A remarkably reflective essay.

      And I think that you are right about our passion to preserve. I think sometimes about how much effort goes into scrapbooks, for example, capturing as many moments as possible. And photographs that are so easy to capture and then linger on drives, consuming storage space and heart cycles. You have me thinking.

      Thanks.

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